About
Japanese Tansu
Tansu, or dansu when part of a compound word, is a term for the antique
cabinetry of Japan. Immersed in a rich folk-art tradition they combined
the skills of the wood joiner, the iron smith, and the lacquer artist.
First appearing during the 17th century, by the early 18th century they
played a major role in Japan, adapting to many of the functions of
society. They were used as clothing chests (isho-dansu), cupboards, safes,
kitchen storage (mizuya-dansu), and as a place to store pharmaceuticals (kusuri-dansu),
samurai swords (katana-dansu), tools, books (sho-dansu), documents and
ledgers (choba-dansu).
Unlike the homes of the Western world, the well decorated homes in Japan
were relatively bare. Homes were not cluttered with stationary furniture,
rather most tansu were stowed away in loft spaces or separate storage
buildings called "kura". Some of the larger pieces would remain
in the home and at times, in wealthy homes, a more decorative tansu would
be displayed in the main room of entertainment.
For the most part the role of the tansu was utilitarian and most also had
to be highly mobile. The medicine and other merchandise tansu were often
carried on the back of the peddler. The sea chests were moved from sea to
shore. The tansu of the homes needed to be moved from storage to home
several times a year and for specific occasions. There were even some
chests (kaidan-dansu)
that served as both a storage space and a staircase in a home or store.
The often highly decorated sea chests (funa-dansu) were water tight. It is
also said that they were specifically designed to float just below the
surface of the water. In case the ship was attacked by pirates, they would
throw the chests overboard and retrieve them later.
The Japanese craftsman had these concerns and needs in mind as they built
and developed their tansu. The cabinetmaker selected woods for their
individual qualities, including their weight, strength, stability, color,
and grain. The woods most often used were kiri (paulownia), sugi (cryptomeria),
kuri (Japanese chestnut), hinoki (Japanese cypress), ezo matsu (pine), and
keyaki (zelkova).
Other concerns of the cabinetmaker were the changes in humidity during the
seasons, and the stresses of earthquakes, cyclones, and typhoons. As a
result, the joinery of the wooden buildings and cabinetry in Japan needed
to be both strong and flexible. The metal work of the tansu–including
the drawer pulls, locks, bolts, hinges, and reinforcements such as the
metal corners and T-bars–was integrated into the design. Often the metal
work served a functional as well as a decorative purpose, sometimes
including elaborate detailed images. Finally the lacquer artist selected a
finish for protective functions in addition to enhancing the natural
beauty of the wood. These craftsman combined all of these features to
create an enduring style of furniture that will hopefully live on for ages
to come.
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